Machiko Edmondson, born in 1965, is a distinguished British artist whose work has significantly contributed to the contemporary art scene. Her journey into the world of art began at Tama Arts University in Tokyo, where she embarked on her artistic training in 1981. This foundational period at Tama Arts University was crucial, as it not only provided her with a BA in Fine Art but also instilled in her a profound understanding of the artistic disciplines and the conceptual frameworks that would later inform her work. Edmondson's quest for deeper artistic knowledge and refinement led her to further her studies in London, a city that has played a pivotal role in her development as an artist. She pursued a BA in Fine Art at Camberwell College of Arts from 1989 to 1992, followed by an MA in Fine Art at Goldsmiths College, University of London, from 1993 to 1995. These formative years in London's vibrant art scene were instrumental in shaping her artistic voice and vision. Edmondson's work is renowned for its exploration of beauty, identity, and the commodification of the human image. Her often monumental paintings of paradigm faces are not just visually striking; they delve into the complexities of societal ideals and desires. These faces, while appearing to be the epitome of beauty and perfection, are in fact a critique of the superficial standards imposed by society. Edmondson's art challenges the viewer to question the authenticity of these ideals and to consider the deeper, often overlooked aspects of individuality and human essence. This thematic focus is evident in her exhibition "Double Bluff," where she elaborates on the clichés of ideals and desires, presenting stylized images as objects of desire that simultaneously question the very nature of desirability. Throughout her career, Edmondson has been extensively exhibited and sought after on both sides of the Atlantic. Her work has captivated audiences and collectors alike, earning her a place in numerous key galleries and museums. The 2020 lockdown presented a unique challenge for Edmondson, as it did for many artists. Bereft of her usual sources of inspiration and the dynamic interactions that fuel creativity, she found new ways to engage with her art and continue her exploration of themes central to her work. Edmondson's artistic journey is also marked by her personal experiences and the places she has called home. After a four-year stint in New York, she returned to London in the early 80s, where she has since lived and worked. London, with its rich cultural tapestry and dynamic art scene, has been a constant source of inspiration for Edmondson. Her work reflects the city's influence, from the diversity of its people to the ever-changing landscape of its streets and galleries. In addition to her painting, Edmondson's voice and perspective extend beyond the canvas. She has shared insights into her artistic philosophy and motivations in various interviews and discussions. When asked about what she would do if she knew she could not fail, Edmondson's response was to start a band, revealing a facet of her creative aspirations that goes beyond visual art. Her motto, "Used to," speaks to a sense of evolution and change, highlighting her openness to new experiences and her continuous quest for growth as an artist. Machiko Edmondson's work is a testament to the power of art to provoke thought, challenge perceptions, and explore the depths of human experience. Through her paintings, she invites us into a world where beauty is not just seen but felt, where the faces we gaze upon are mirrors reflecting the complexities of identity and the constructs that define our understanding of ourselves and others. As she continues to create and evolve, Edmondson's art remains a significant and compelling contribution to the contemporary art world.

Machiko Edmondson Quotes and Sales of Works

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