Angelo Brescianini was an Italian artist whose innovative approach to art and sculpture left a significant mark on the contemporary art scene. Born in 1948 in Palazzolo sull’Oglio, in the province of Brescia, Angelo was the youngest of four siblings. His artistic journey began early; at the tender age of 12, he participated in his first collective exhibition, showcasing his burgeoning talent alongside other artists. This early exposure to the art world set the stage for a lifetime of creative exploration and expression. Brescianini's initial foray into the world of art was complemented by his studies in mechanical design, a discipline that would later influence his artistic techniques and choice of materials. In the late 1960s, he crafted his first bronze sculpture, which is now exhibited at the Istituto Scolastico Enrico Fermi di Palazzolo. His military service in 1968, stationed in Verona, did not deter his artistic pursuits; he continued to paint during his free time, developing his first "shots" on rusty metal plates. This period also saw him participate in the Padua Biennale with his painting "Dolorosa attesa" (Painful Waiting), earning him his first recognition. Upon completing his military service, Brescianini was employed by a metalworking company, where he worked with iron, bronze, and aluminum. However, his true calling lay elsewhere, and he soon left to open a workshop for cabinet makers in the 1970s. His father, a master carpenter, had instilled in him a deep appreciation for fine woods, and Angelo carried this passion into his own work, creating art objects with a lathe and other tools. His dedication to craftsmanship and design led to collaborations with renowned architects and the creation of unique furniture pieces that garnered attention and success. The 1990s marked a turning point in Brescianini's artistic career. The death of his sister in 1991 had a profound impact on him, influencing his artistic output and leading him to concentrate on structural and chromatic research. His encounter with Argentinian kinetic artist Horacio Garcia Rossi was pivotal, steering him towards the development and production of optical sculptures in motion. This collaboration resulted in masterpieces that utilized a new and surprising instrument: firearms. Brescianini recognized the potential of guns to shape surfaces in a way that traditional tools could not, creating works that were both immediate and expressive. Brescianini's dynamic visions were characterized by kinetic patterns and a continuous change of levels and forms. His technique involved a carefully organized ritual of triggering the bullet, determining the angle, and measuring the firing distance. The resulting artworks were surfaces shaped by bullets, never perforated, thanks to his precise control of gunpowder. He worked with stainless steel, a material that allowed him to create "bugnature," daring manifestations of beauty that captured light and created sinuous paths. Throughout his career, Brescianini exhibited his work extensively, both in Italy and internationally. He was exclusively represented by the Minotauro Fine Art Gallery in Palazzolo sull’Oglio since 2008 and participated in numerous specialized art fairs. In 2012, a retrospective exhibition of his work was held at the Museo del Presidente in Rende, Italy. He also showcased his art in Miami and at the Unix Gallery in New York, further solidifying his international presence. In the latter part of his career, Brescianini joined the artistic staff of the Spirale Arte gallery in Milan, where he began to design and build wooden objects set with precious metal plates, bas-reliefs, and plaques by famous authors. His work in furniture design and construction was marked by a deep understanding of different woods, as he transformed pieces of trunks into varied and imaginative shapes. His tables, chairs, writing desks, and sculptures were highly sought after by collectors. Angelo Brescianini's last personal show, "A singolar tenzone," curated by Antonio Falbo at the Castello di Cavernago, was exceptionally successful. His passing on April 26th, 2016, marked the end of a prolific and impactful career. Today, his works are found in prestigious private and public collections worldwide, a testament to his original stylistic code and the growing appreciation for his art.

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