Carlo Mattioli was a distinguished Italian painter, born in 1911 in Modena, Italy. His family relocated to Parma in 1925, where Mattioli would spend the remainder of his life, deeply embedding himself in the cultural and artistic fabric of the city. His early artistic training commenced at the Art Institute, where he was initially drawn to the world of painting, inspired by the works and experiences of artists like Giorgio Morandi. This period marked the beginning of a lifelong dedication to the exploration and expression of beauty, nature, and human emotions through his art. During the 1940s and 1950s, Mattioli emerged as a significant figure in the Italian art scene, known for his suggestive figurative tonalism. This era was crucial for his cultural and artistic development, as he delved into literature and poetry, forging deep connections with notable figures such as Attilio Bertolucci and Mario Luzi. His engagement with the literary world extended to his work as a book illustrator, where he produced engravings and lithographs for works by authors including Pietro Aretino, Stendhal, Guido Cavalcanti, and Machiavelli. This interdisciplinary approach enriched his artistic vision, allowing him to blend visual and literary elements in his creations. Mattioli's artistic oeuvre is characterized by a continuous search for new expressive forms and a deep fascination with the natural world. He painted landscapes, seascapes, and floral scenes, capturing the essence of beaches, fields of poppies, lavender, and brooms with a vibrant palette and a variety of painting techniques. His work from the 1980s, in particular, reflects a poetic engagement with nature and existential themes, as seen in his series inspired by the Aigues Mortes, exploring the boundaries between organic and inorganic, life and death. This period also saw him painting tender portraits of his niece Anna, infusing his work with a sense of wonder and fairy-tale-like imagination. Throughout his career, Mattioli remained faithful to his personal vision, even as many of his contemporaries turned their focus to social and political issues. His paintings are a testament to his amazement at the beauty of nature and his contemplation of human existential restlessness. He experimented with new subjects and techniques, using unusual surfaces such as pages of ancient manuscripts and old worn canvases, which added a layer of historical depth and texture to his work. This approach allowed him to create a unique alchemical transmutation in his art, where old and new forms interpenetrated, respecting their mutual essences. Mattioli's contributions to the art world were recognized with numerous awards throughout his lifetime, and his work continues to be celebrated in anthological exhibitions in Italy and beyond. Following his death in 1994, the Carlo Mattioli Archive was established in Parma to oversee the authenticity of his works and promote knowledge of his artistic legacy. In the 1960s, Mattioli achieved significant public success, establishing himself as a leading figure in post-war Italian figurative art. His work from this period is marked by a continuous exploration of pictorial language through thematic cycles, including series on nudes, still lifes, and studies on Caravaggio's Basket. He received important recognitions, such as the Premio del Fiorino in Florence in 1964, and his first anthological exhibition was organized in Parma in 1970, later exhibited in Carrara. The 1970s saw him further exploring new forms of expression, focusing on the observation of nature with cycles on the Beaches of Versilia, poppy fields, and broom fields, among others. Mattioli's artistic journey reflects a profound engagement with the world around him, a relentless pursuit of expressive innovation, and a deep reverence for the interplay between nature, art, and literature. His legacy endures as a pivotal figure in the landscape of Italian art, whose work continues to inspire and captivate audiences worldwide.

Carlo Mattioli Quotes and Sales of Works

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