Giovanni Omiccioli, born on February 25, 1901, in Italy, emerged as a significant figure in the realm of Italian painting, particularly known for his affiliation with the modern movement of the Scuola Romana (Roman School). His journey as a self-taught artist led him to become a dynamic force in the art world, with his work spanning several decades until his death on March 1, 1975. Omiccioli's artistic endeavors are a testament to his profound love for nature and humanity, which he beautifully encapsulated through his vibrant and tender palette of colors, bringing a soft breath of light and a suggestive atmosphere to his entire artistic production. Omiccioli's affiliation with the Scuola Romana began in 1928, marking the start of a collaborative journey with notable artists such as Mario Mafai, Antonietta Raphael, Scipione, and Raffaele Frumenti. This association played a pivotal role in shaping his artistic identity and contributed significantly to the development of his unique style. His pictorial activity officially commenced in 1934, and within a few years, he made his mark by exhibiting his work at the IV Mostra del Sindacato Fascista in 1937, within the Fine Art circle. This period also saw him holding his personal expo at the Apollo Gallery in Rome, which was followed by numerous other exhibitions throughout the 1940s. Omiccioli's work has been featured in key galleries and museums, including La Galleria Nazionale, highlighting his prominence in the Italian art scene. His artworks have been offered at auction multiple times, with realized prices ranging from modest to significant amounts, depending on the size and medium of the artwork. The record price for his work at auction stands at $21,503 for "Piazzale di Ponte Milvio," sold at Christie's Milan in 2006. Beyond his contributions to painting, Omiccioli was also active in politics. Alongside Mario Mafai, Guttuso, and Afro, he created the first header of the Italian communist newspaper L’Unità in 1945, immediately after the Italian Liberazione. That same year, he exhibited at the I Mostra dell'Arte against barbarism, promoted by this newspaper at the Gallery of Rome with a catalogue by Antonello Trombadori, presenting a dramatic political painting titled "La fucilazione di Bruno Buozzi." Omiccioli's artistic achievements were further recognized when he won an award at the Marzotto Prize Convention for "Il Pastore con la capretta (Shepherd with small goat)." His anthological displays at the Hermitage of Leningrad, personal exhibitions at the La Medusa Modern Gallery of Naples, and participation in exhibitions at Pittsburgh, Boston, and Tokyo during the 1950s are particularly noteworthy. He also took part in a traveling exhibition around the Scandinavian countries organized by the Italian Art Club, as well as displaying some paintings at the various Rome Quadriennales of 1955, 1959, and then 1966, and at the Venetian Biennales of 1952, 1954, 1956. In the 1960s, Omiccioli exhibited at three Figurative Arts Reviews in Rome and Lazio (1961, 1963, 1965) and at the VI Biennale of Rome in 1968. His work during this period continued to reflect an unchangeably intense love for nature and man, characterized by a soft breath of light and a suggestive atmosphere that permeated his entire artistic production. Giovanni Omiccioli's legacy is preserved through his contributions to the Italian modern art movement and his dynamic representations of nature, humanity, and socio-political themes. His work remains a source of inspiration and admiration for art enthusiasts and collectors worldwide, cementing his place as a pivotal figure in the history of Italian art.

Giovanni Omiccioli Quotes and Sales of Works

Ponti Art Gallery selects and deals with paintings by the artist. Upon request, we provide free estimates and evaluations, communicate prices, quotations, and current market values.

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