Gregorio Vardanega was a pioneering artist whose work traversed the boundaries of kinetic art, op art, and installations. Born on March 21, 1923, in Possagno, Italy, Vardanega's life was one of movement and innovation, both literally and figuratively. At the tender age of three, his family relocated to Buenos Aires, Argentina, a move that would set the stage for his future artistic endeavors. Vardanega's artistic journey began in earnest when he attended the Escuela Nacional de Bellas Artes in Buenos Aires from 1939 to 1946. It was here that he honed his skills and developed a passion for exploring the interplay between space, form, and the elements that define our perception of the world. His early work was characterized by a fascination with space and a desire to question and redefine its form and components. In 1946, Vardanega's artistic exploration took a significant turn when he began working with acrylic glass and creating structures using overlapping wires. This period marked his initial foray into kinetic art, a field in which he would later become a significant figure. His first kinetic piece, which utilized an electric motor, was exhibited at the gallery of the Estimulo de Bellas Artes in October 1957, signaling the beginning of a new phase in his career. Vardanega's move to Paris in 1959 was another pivotal moment in his life. It was in the City of Light that he met Argentine artist Martha Boto, who would become his companion and collaborator. Together, they coined the term "chromocinetism" to describe their artistic research, which focused on the use of color, light, and movement to create dynamic, engaging works of art. Throughout the 1950s and 1960s, Vardanega experimented with the possibilities of kinetic art, constructing artworks that moved and rotated at irregular intervals. These pieces created abstract patterns through the interplay of lighting, reflections, and shadows, captivating viewers with their ever-changing appearance. His work during this period also included the creation of his first luminous sculpture, an embodiment of his interest in the physical and psychic universe. Vardanega's contributions to the art world were recognized by his inclusion in various influential groups. He was a member of the Nouvelle Tendance, alongside artists such as Luis Tomasello and Enrico Castellani, and the GRAV group (Groupe de Recherche d'Art Visuel). He also maintained connections with artists in Buenos Aires, including Eduardo Jonquières and the "Arte Nuevo" group, as well as the MADI artists' group. One of Vardanega's most notable works is "Electronic Universe" from 1958, which allowed viewers to interact with the piece and directly influence the evolution of colors. His other significant works include "Couleurs Sonores" (1963-1979), a piece that was too tall to be exhibited in its intended urban setting, and "Cosmic Dream," a plexiglass composition that played with electric color and sensory perception. Vardanega's artistic achievements were recognized with gold medals at the Exposition of Visual Art in Argentina and the International and Universal Exposition in Brussels. His first solo exhibition in Paris in 1964 established him as an important practitioner of kinetic art. Gregorio Vardanega lived in France from 1959 until his death in Paris on October 7, 2007. His legacy is one of innovation, exploration, and a relentless pursuit of new ways to engage with the visual and sensory world. His work continues to inspire and influence artists and art enthusiasts alike, serving as a testament to the power of creativity and the enduring impact of kinetic art.

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